Categories
Autistic pride My poetry

Poem: at that banquet

there will be straws
at that banquet

and all the bread will be gluten free

and no one will go away hungry because
there was no food that fit their dietary needs

and the table will be high enough
for wheelchairs to slide easily beneath it

and no one will gawk at those of us
who have trouble sitting still so long
and stand instead, and stomp our feet

and no one will grab our flapping wrists and hiss, “quiet hands!”
(God, i cannot wait to never hear that hateful phrase again)

and Jesus, there you will be,
not at the head of the table

but in the middle of things
breaking bread with hands that struggle a little,
impeded by the damage done to your fine motor skills
when the nails pierced your wrists

and with a wheelchair stationed behind you
that friends can push you in when the chronic pain
in your nail-damaged feet becomes too much

and we will all share in the lopsided chunks
of gluten free bread that is your body
or the cups of juice with straws in them that is your blood

and there will be laughter, oh there will be laughter
loud and carefree

communicated through AAC
or sign language or smiling mouths
as we finally learn what it means to be

truly One: united, not in spite of but through
diversity.


[image: a mural by Hyatt Moore based on Luke 14′s parable of the banquet. There’s a blue background and lots of people gathered at a long table with a white tablecloth piled with food. There are persons of many different races and cultures and with various disabilities, including several in wheelchairs or with canes or crutches, several who have down syndrome, one with a service dog, and so on. Jesus stands near the right end of the canvas, conversing with a child of color in a wheelchair and an older Black man in a wheelchair. /end id]


This poem was written by Avery Smith and belongs to them. Please do not publish it anywhere, or use it in a service, without permission from the author. Reach out to Avery at queerlychristian36@gmail.com for that permission, or just to chat!

About this poem: I wrote this poem as part of a project on disability theology for a class in seminary. I began my research into Luke 14’s parable of the banquet during that project, and I’m pretty sure at this point I’ve read more articles and books on Luke 14 than any other scripture passage (except perhaps Exodus 4). You can watch me discuss this text at length on my YouTube channel in the video “Luke 14 – Disabled persons are vital guests at God’s banquet.”

This poem is one of a few in which I try to envision what “perfect accessibility” would look like. In our own world, such a thing is nigh impossible, because sometimes what accommodates me may actually harm another disabled person. For instance, I struggle with loud chaotic noises and crowds, which are pretty much unavoidable at a banquet scene like the one in Luke 14 or in this poem! Could the banquet hall include a side chamber for people like me to calm down when needed – but somehow not isolate us? Will my autism manifest itself differently in heaven so that I do not become so overwhelmed by crowds – without losing what makes me me? These are important questions to explore as we work to make our faith communities as welcoming and accessible as possible – even while knowing we probably will never get it perfect for everyone. Being willing to own up to our mistakes and truly listen to what individuals say they actually need is key.

Some notes that might help in the reading of this poem:

  • Straws are mentioned a couple times as they are a vital tool to some disabled people and movements to ban straws were spreading across the United States when I wrote this poem. See this article for more information: https://www.vox.com/first-person/2018/7/19/17587676/straws-plastic-ban-disability
  • the mentioned phrase quiet hands is one frequently used in abusive therapies (such as ABA) that try to get autistic people to be as “normal” (read: non-autistic) as possible. “Quiet Hands” is a command to keep one’s hands still rather than stimming with them. Being forced to repress behaviors that come naturally, such as stimming, can go so far as to cause PTSD in autistic people. See this webpage for more information: http://autism.wikia.com/wiki/Quiet_Hands
  • AAC stands for Augmentative and Alternative Communication – methods of communicating apart from verbal speech. AAC devices include writing in a notebook and electronic speech-generating devices. See this webpage for more information: https://www.prentrom.com/caregivers/what-is-augmentative-and-alternative-communication-aac
  • For more on Jesus’s own disabling wounds, with which he chose to rise and ascend into heaven, check out The Disabled God by Nancy Eiesland or by listen to/read my sermon on John 20 The Wounds of Jesus: Goodness Embodied.”
    …Or just email me – it’s like my favorite topic ever and I’m always thrilled to get to discuss it!

“The disabled God is God for whom interdependence is not a possibility to be willed from a position of power, but a necessary condition for life. …For many people with disabilities, too, mutual care is a matter of survival.

To posit a Jesus Christ who needs care and mutuality
as essential to human-divine survival does not symbolize either humanity or divinity as powerless.
Instead it debunks the myth of individualism and hierarchical orders, in which transcendence means breaking free of encumbrances and needing nobody and constitutes the divine as somebody in relation to other bodies.”

– Nancy Eiesland in The Disabled God

“The text [of Luke 14] clearly situates people with impairments at the final banquet just as they are, not with their impairments erased or made invisible. …Consistent with the presence of the scars on Jesus’ resurrected body, here the marks of impairment are not cured or expunged.

What would a world in which impairments
will not be eliminated but rather “redeemed” look like? For Eiesland, such a world is one in which justice comes for disabled people in the form of perfect accessibility and mutuality:
a justice that removes the barriers which constrain our bodies, keep us excluded, and intend to humiliate us.’”

– Amos Yong in The Bible, Disability, and the Church

Categories
Holy Days LGBT/queer My poetry

poem: HRT on Good Friday

as the fluid fills the syringe
and i hover the needle over the tender skin
of my thigh

i think of you. and your thorny crown.
and the nails drilled into your feet, into
the bowed space between radius and ulna

   and i drive
   the needle
   in.

would that your skin
were my skin! that i could take
your
 pain into my bones, could somehow make
it mine, or at least share it!
– but you know

better than i could ever hope to know
that some things must be suffered all alone.

your Beloved could hold your hand until the men
shoved him away to lift you into the sky;

your mother could sob, and Magdalene shake her fist
at the pitiless soldier who stabbed your whip-riddled side 

but only you, only you
would die.

only you would scream Eli! Eli
lama sabachthani?


and all alone you would slip
into the cradle-void, the muffled womb
of Death –

to prove its grasp was weaker than your love;
to change the course of humankind for good.

the gasp i make when i push the plunger down
is pain with victory commingling
as i feel the fluid p u s h  
                                       i t s    w a y    i n t o
tissue and muscle –
flow in, and nestle, and

wait for the cells that somehow know
to carry it where it is meant to go.

deep in those cells, a sea-salt wind is blowing:
a sea-change rolls across those helix shores
uncoiling them and weaving them back together
a little different than they were before.

deep in the tomb, your body sprawls unmoving
and lovers keen outside it, unaware
of changes being made at levels deeper
than cells or DNA or the secrets there.

for often it is pain,
   be it bitter, be it sweet,
that brings about sea-change:
   pierced thigh, pierced side, pierced feet.


This poem was written by Avery Smith and belongs to them. Please do not publish it anywhere, or use it in a service, without permission from the author. Reach out to Avery at queerlychristian36@gmail.com for that permission, or just to chat!

About this poem: I believe this one mostly speaks for itself – I happened to have my every-other-weekly testosterone (self-)injection scheduled for Good Friday a couple years back, and wrote this poem after. I see so much similarity in the transitions (physical, spiritual, emotional, all) that trans and/or nonbinary people journey along and the kinds of transitions that God-becoming-human and God-dying-and-rising-again underwent. Here is to all my trans people of faith: we are beloved by God and experience special insight into divinity.

Categories
LGBT/queer My poetry

poem: my god they have cornered me

my god they have cornered me
like an animal
and like an animal i want to lash out
i want to sink my teeth into their flesh until they shout and
let. me. go.

but god

when my fist flies forward
to sink into their face
it hits yours instead.

they cornered me, made me a beast
who cannot tell friend from foe
and in my frenzy i struck you
just as you were reaching
for my hand to pull me up

oh, god

sit with me
in this fear, in this fury, in this pain
sit with me until it melts into tears
and i am ready to stand up
to walk out past their leers
their spit their stones

god
help me pull the nails
from my feet and wrists
and i shall use them
to build
a house for all of us
who are trampled into dust

with tender touch we pluck
the nails from each other’s flesh,
the knives from one another’s hearts

and we
will not
hurl them into the ones
who drove them into our skin

no. they will never
be weapons again.

do you see the flowers
blooming around the doorway?
do you hear the laughter
resounding in the halls?

i have repurposed the rope
they tried to hang me with
into a swing that children
take turns swinging on.


This poem was written by Avery Smith and belongs to them. This is a revised version of a poem included in their volume The Kin(g)dom in the Rubble. Please do not publish it anywhere, or use it in a service, without permission from the author. Reach out to Avery at queerlychristian36@gmail.com for that permission, or just to chat!

About this poem: This piece contemplates how the horrors done to us might be transformed into something life-giving — and in the meantime, God is with us. How do we fight back against our oppressors’ dehumanizing violence? How do we bear good fruit and thrive in a world that would see us quashed?

This poem was inspired by Psalm 73, where the psalmist begs to know why unjust oppressors thrive while the oppressed suffer. So overcome with pain and fear is this psalmist that they risk becoming the animal their oppressors try to dehumanize them into — but God raises them up from that fate. Here are verses 21-23, my translation:

Yes, my heart was warping into a bitter husk,
   my insides were all cut up.
I became brutish, I knew nothing anymore —
   I lashed out, a wild animal, against You.
Yet even so, I am unceasingly with You!
   You hold fast to my right hand!